![]() They also have two auidio output 1/4" jacks, one stereo headphone 1/4" jack. Both have one MIDI IN, MIDI OUT and MIDI THRU ports. The CM-500 is a CM-300 combined with an CM-32L. The CM-300 has the exact same capabilities as the SC-55 except no LCD panel or buttons and fewer ports. Soon after, Roland released the GS compatible devices in its "computer module series", the CM-300 and CM-500. The SCC-1 has two RCA output jacks, one headphone mini-jack, one MIDI OUT and one MIDI IN mini-DINs. Nonetheless, if a game had an install option for the Roland SCC-1, the exact same functionality will be present though a Roland MPU-401 card/breakout box connected to an SC-55 via MIDI OUT. This card contained the synthesis portion of the SC-55 with a cut-down Roland MPU-401 interface. ![]() Next, Roland released the SCC-1 IBM PC sound card. I would suggest that this hypothesis is a myth that has been debunked. There is little likelihood of more than one or two of them using an early module. Moreover, at least six composers contributed to Descent and Descent 2. However, the composer for DOOM I & II and Duke Nukem, Robert Prince, has stated that he did not use an early SC-55. Examples included Descent and Descent 2, DOOM, DOOM II or Duke Nukem 3D. The information will flash on the LCD panel.Ī hypothesis has circulated that certain PC game composers may have used an early "GS STANDARD" to compose their music. If you want to find the version number of your unit, put the SC-55 in standby mode and press both Instrument buttons followed by both MIDI CH buttons. GS branded SC-55s with a Control ROM version of 1.10 will have the old instrument table, while units with a 1.20 or 1.21 Control ROM will have the new instruments. These changes can be seen in all General MIDI/GS units and even some simply "GS" branded units. Early modules lack a sine wave variation tone at PC#81. Breath Noise is the canonical General MIDI tone for PC#121. Later modules in the series would put Breath Noise as the default tone on PC#121 and put Fl. Early modules have at Program Change #121 Fl. Modules with the GS logo may still beīetween these Roland SC-55s and the later devices, there were two changes in the instrument map. The earliest Roland SC-55s simply have a "GS STANDARD" logo on the bottom of the front panel, while slightly later SC-55s have a "GS" logo. You can do a full factory reset by holding both instrument buttons and pressing all. You can set the GS mode by pressing the instrument right button and pressing All. ![]() You can set the MT-32 emulation mode by pressing the instrument left button as you turn the power on and pressing All. From here you can mute all sound output from the module, which is very useful if you are sending the input from an MT-32 or CM-32L through it. It also comes with a hand held remote but no software. It has two RCA input jacks and two RCA output jacks and a headphone mini-jack. The SC-55 has two MIDI IN ports, one MIDI OUT and one MIDI THRU port. The total Sound Canvas patch set is 3MB in size, 1MB of which is probably dedicated to the MT-32 tones All first generation devices also supported 128 MT-32 tones and a MT-32 + CM-32L percussion set (63 sounds). Its backlit LCD screen will show which tone is being played by which part, and games can also control the text at the top of the display (Lands of Lore). It has a battery to remember the user's settings This is a standard CR2032 coin cell in a holder and should be replaced or removed when you purchase a unit. ![]() It also had an effects processor with chorus and reverb which games (Ultima VIII : Pagan) have used. It could support up to 24 voice polyphony at one time (each instrument using 1-2 voices or partials). This machine supported 16 MIDI channels (percussion on channel 10), 128 capital tones, 69 variation tones and 8 percussion/drum sets. In 1991, Roland released its SC-55 MIDI Sound Generator, its first GS product. I characterize a "first generation Roland GS device" as any device with the features of an SC-55 but not the full features of an SC-55mkII. In this article, I will take an overview of the various first generation devices Roland released bearing its "Sound Canvas" branding and GS standard and their importance to PC gaming. ![]()
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